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Savage Skill ©

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Matt gidaszewski

Based in London

12:19:35 PM

Friday, August 7, 2026

Based in London

12:19:35 PM

Friday, August 7, 2026

12:19:35 PM

Friday, August 7, 2026

© All Rights Reserved Portfolio MG 2026

© All Rights Reserved Portfolio MG 2026

TITLE SEQUENCE / 2026

PERSONAL PROJECT

PRIMATE

PRIMATE

PRIMATE

PRIMATE

A cinematic title sequence for an imagined feature film, built from a scanned human skull, minimal light, sound, and deliberate slow pacing.

A cinematic title sequence for an imagined feature film, built from a scanned human skull, minimal light, sound, and deliberate slow pacing.

A cinematic title sequence for an imagined feature film, built from a scanned human skull, minimal light, sound, and deliberate slow pacing.

A cinematic title sequence for an imagined feature film, built from a scanned human skull, minimal light, sound, and deliberate slow pacing.

PRIMATE — TITLE SEQUENCE

FULL FILM / SOUND ON

CLIENT

Personal Project

PROJECT

Primate Title Sequence

ROLE

Creative Direction · 3D Art · Motion Design

TOOLS

Cinema 4D · ElevenLabs · After Effects · Premiere Pro

01 / THE ATMOSPHERE

A SKULL, A SHADOW, A TITLE.

A SKULL, A SHADOW, A TITLE.

A SKULL, A SHADOW, A TITLE.

A SKULL, A SHADOW, A TITLE.

The sequence centres on a scanned 3D human skull. Its form became the anchor for a restrained study of atmosphere, pacing, and visual storytelling.

The sequence centres on a scanned 3D human skull. Its form became the anchor for a restrained study of atmosphere, pacing, and visual storytelling.

Lighting, composition, and camera movement were shaped in Cinema 4D to establish a dark cinematic mood. Sound was generated with ElevenLabs before the final sequence was composited and finished in After Effects and Premiere Pro.

PROCESS / CINEMA 4D

SCANNED FORM. CINEMATIC PRESENCE.

SCANNED FORM. CINEMATIC PRESENCE.

SCANNED FORM. CINEMATIC PRESENCE.

SCANNED FORM. CINEMATIC PRESENCE.

A scanned primate skull was staged with cloth, controlled lighting, and measured camera movement. The minimal setup allowed silhouette, texture, and timing to carry the identity of the sequence.

THE TITLE PIPELINE

THE TITLE PIPELINE

THE TITLE PIPELINE

THE TITLE PIPELINE

02 / STAGES

01
IDEA
skull + cloth sim + serious + sad

02
BUILD
Finding 3D scan,

Cloth Sim,

Scene set-up

03
LIGHT
Cinematic contrast

04
MOVE
Camera + pacing

05
SOUND
ElevenLabs

06
FINISH
After Effects + Premiere

03 / OUTCOME

MINIMAL IMAGES. A DISTINCT CINEMATIC IDENTITY.

MINIMAL IMAGES. A DISTINCT CINEMATIC IDENTITY.

MINIMAL IMAGES. A DISTINCT CINEMATIC IDENTITY.

MINIMAL IMAGES. A DISTINCT CINEMATIC IDENTITY.

A personal exploration of title-sequence design, demonstrating how minimal visuals, sound, and deliberate pacing can establish a distinctive cinematic identity.

A personal exploration of title-sequence design, demonstrating how minimal visuals, sound, and deliberate pacing can establish a distinctive cinematic identity.

A personal exploration of title-sequence design, demonstrating how minimal visuals, sound, and deliberate pacing can establish a distinctive cinematic identity.

A personal exploration of title-sequence design, demonstrating how minimal visuals, sound, and deliberate pacing can establish a distinctive cinematic identity.

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